Cult Media
-15%
portes grátis
Cult Media
Re-packaged, Re-released and Restored
Willis, Andy; Wroot, Jonathan
Springer International Publishing AG
08/2018
227
Mole
Inglês
9783319876122
15 a 20 dias
454
Descrição não disponível.
1. ?Introduction - Jonathan Wroot and Andy Willis.- 2. I - The Cult Business: Creating Consumption: Jonathan Wroot, 'Battle Royale as a One Film Franchise: Charting a Commercial Cult Phenomenon through DVD and Blu-ray releases'.- 3. Mark McKenna, 'Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution'.- 4. Matt Hills, 'A "Cult-like" Following: Nordic Noir, Nordicana and Arrow Films' Bridging of Subcultural/Neocultural Capital'.- 5. Lee Broughton, 'Restoration, Restoration, Restoration: charting the changing appearance of The Good, the Bad and the Ugly on British home video'.- 6. Katie Barnett, 'It's Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks'.- 7. II - Cult Practices: The Consumption and Reception of Cult Media: E.W. Nikdel, 'Cult Fandom and Experiential Cinema'.- 8. Virginia Crisp, 'Pirates and Proprietary Rights: Perceptions of 'Ownership' and Media Objects within Filesharing Communities'.- 9. E. Charlotte Stevens, 'On Vidding: The Home Media Archive and Vernacular Historiography'.- 10. Oliver Carter and Simon Barber, 'The Dragon Lives Again: Distributing "Bruceploitation" via Home Entertainment'.- 11. Rayna Denison, 'Bollywood DVD: The Relationship between Distributive Technology and Content in Transnational Cinema'.- 12. Fraser Elliot, 'The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain's Reception Context'.
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film;cinema;media;cult;distribution
1. ?Introduction - Jonathan Wroot and Andy Willis.- 2. I - The Cult Business: Creating Consumption: Jonathan Wroot, 'Battle Royale as a One Film Franchise: Charting a Commercial Cult Phenomenon through DVD and Blu-ray releases'.- 3. Mark McKenna, 'Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution'.- 4. Matt Hills, 'A "Cult-like" Following: Nordic Noir, Nordicana and Arrow Films' Bridging of Subcultural/Neocultural Capital'.- 5. Lee Broughton, 'Restoration, Restoration, Restoration: charting the changing appearance of The Good, the Bad and the Ugly on British home video'.- 6. Katie Barnett, 'It's Only Teenage Wasteland: The Home Media Revival of Freaks and Geeks'.- 7. II - Cult Practices: The Consumption and Reception of Cult Media: E.W. Nikdel, 'Cult Fandom and Experiential Cinema'.- 8. Virginia Crisp, 'Pirates and Proprietary Rights: Perceptions of 'Ownership' and Media Objects within Filesharing Communities'.- 9. E. Charlotte Stevens, 'On Vidding: The Home Media Archive and Vernacular Historiography'.- 10. Oliver Carter and Simon Barber, 'The Dragon Lives Again: Distributing "Bruceploitation" via Home Entertainment'.- 11. Rayna Denison, 'Bollywood DVD: The Relationship between Distributive Technology and Content in Transnational Cinema'.- 12. Fraser Elliot, 'The Sustained Popularity of In the Mood for Love: Cultural Consumption in Britain's Reception Context'.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
