Palgrave Handbook of Musical Theatre Producers

Palgrave Handbook of Musical Theatre Producers

MacDonald, Laura; Everett, William A.

Palgrave Macmillan

03/2017

559

Dura

Inglês

9781137440297

15 a 20 dias

9871


ebook

Descrição não disponível.
Prologue.- 1. Overture;.- 2. Actors Act, Directors Direct, Producers...Produce?; Kathryn Edney.- Act 1. To the 1940s.- 3. Tony Pastor; Gillian Rodger.- 4. Adolf Philipp and the German-American Musical Comedy; John Koegel.- 5. George Edwardes; William A. Everett.- 6. Charles Frohman; Brian D. Valencia.- 7. Aggressive, Beleaguered, Commercial, Defiant; Marlis Schweitzer.- 8. Did the Shuberts Save Broadway?; Anthony Vickery.- 9. Sam Harris; Alisa Roost .- 10. Florenz Ziegfeld Jr.'s "Simple Idea"; Todd Decker.- 11. Feather-Footed Impresario; Maya Cantu.- 12. Alexander A. Aarons and Vinton Freedley; Jennifer Ashley Tepper and William A. Everett.- 13. Coherency; Dominic Symonds.- 14. Firm Foundations; Frank Van Straten.-15. Japanese Women's Popular Musicals; Nobuko Anan.- Act 2. From the 1940s through the 1970s.- 16. Refining the Tastes of Broadway Audiences; Claudia Wilsch Case.- 17. More than a Producer; Paul R. Laird.- 18. Rodgers and Hammerstein; Valerie Joyce.- 19. The Nice One; Michael Schwartz.- 20. The Sparkplug and the Engineer; Dominic McHugh.- 21. Roger L. Stevens; Karen Patricia Heath.- 22. "He Could Get It for You Wholesale"; Ryan McKinney.- 23. Stuart Ostrow; Elissa Harbert.- 24. Hal Prince; Paul R. Laird.- 25. Korean Musical Theatre's Past; Ji Hyon (Kayla) Yuh.- 26. Joseph Papp and the Public Theater; Elizabeth L. Wollman.- 27. Giora Godik; Shiraz Biggie.- 28. The West End (and Broadway) Head East; Kevin J. Wetmore, Jr..- Act 3. Since the 1970s.- 29. The Shubert Organization; Mark E. Swartz.- 30. Emanuel Azenberg's Life in Theatre; Sarah Taylor Ellis.- 31. Cameron Mackintosh; Jessica Sternfeld.- 32. Laying Down the RUG; Kyle A. Thomas.- 33. "My American Dream"; Sir Anril Tiatco.- 34. Trading Globally in Austrian History; Laura MacDonald.- 35. Stage Entertainment's Global Success; Sanne Thierens.- 36. West Side Story; Doug Reside.- 37. Making Musicals that Matter; Donatella Galella .- 38. Broadway Bound;Claudia Case.- 39. Our Brand Is Revival; Bryan M. Vandevender.- 40. Reclaiming, Restoring, and Reviving the American Musical; Bryan M. Vandevender.- 41. Garth Drabinsky's "Grand Moves"; Todd Decker.- 42. Disney Theatrical Productions; Amy S. Osatinski.- 43. Against All Odds; Chris McCoy.- 44. "I am them"; Rashida Shaw.- 45. Between Broadway and the Local; Hyunjung Lee.- 46. Performing Like a Concert King or a Queen; Sir Anril Tiatco.- 47. Producing Musicals in Russia at the Turn of the Twenty-First Century; Art Babayants.- 48. David Stone; David Carlyon.- 49. ART for ART's Sake; Stuart Hecht.- 50. Roth and Son; Laura MacDonald.-Curtain Call.- 51. New Paradigms for Broadway Producers in Popular Culture and Beyond; Mary Jo Lodge.- Biblibography.- Index.
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Broadway;West End;theatre industry;professional reputation;popular portrayals;musical comedy;music hall;vaudeville;theatre traditions;revue shows;megamusicals;theatre marketing;revivals;commercial theatre;The Producers;Gilbert and Sullivan;Rodgers and Hammerstein;Ziegfeld Follies;Theatre Guild;Public Theater