Sounds, Societies, Significations
-15%
portes grátis
Sounds, Societies, Significations
Numanistic Approaches to Music
Povilioniene, Rima
Springer International Publishing AG
07/2018
240
Mole
Inglês
9783319836522
15 a 20 dias
454
Descrição não disponível.
Part I. Theoretical Reflections.- Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt).- Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli).- Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankaite).- Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica).- Part II. Interfacing Musics and Societies.- Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra Lopez).- Chapter 6. Musical Narrative in Representing "Hiroshima". A Case Study of Erkki Aaltonen's Second Symphony "Hiroshima" (1949) (Yumi Notohara).- Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilioniene).- Chapter 8. "Where"s the Orchestra?": The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti).- Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis).- Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini).- Part III. Case Study: Polish Contemporary Music.- Chapter 11. "Via Crucis" and "Resurrectio" by PawelLukaszewski (Renata Borowiecka).- Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka).- Chapter 13. Stanislaw Moniuszko"sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff).- Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walacinski's Oeuvre (Ewa Czachorowska-Zygor).- Chapter 15. "Thakurian Chants" for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus).- Chapter 16. New Romanticism in Polish Music: Generation 51 - Knapik, Krzanowski, Lason (Kinga Kiwala).- Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski"s Chamber Music (Ewa Wojtowicz).- Chapter 18.The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).
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Numanities;Music;Society;Interdisciplinarity;Cultural Context;Politics;Semiotics;Italian Music;Polish Music;Lithuanian Music;Romanian Music;Finnish Music;Musical perception;Musical signification
Part I. Theoretical Reflections.- Chapter 1. Musical Signification: A Systematic, Analytical and Pedagogical Approach (Joan Grimalt).- Chapter 2. Popular Music, Politics, Ideologies: A Numanistic Model (Dario Martinelli).- Chapter 3. Music and Associations: Cultural Impact on Musical Perception (Ulrika Varankaite).- Chapter 4. Costin Miereanu and the Musical Labyrinth. Looking Through Converging Lenses (Oana Andreica).- Part II. Interfacing Musics and Societies.- Chapter 5. Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersections (Gerard Guerra Lopez).- Chapter 6. Musical Narrative in Representing "Hiroshima". A Case Study of Erkki Aaltonen's Second Symphony "Hiroshima" (1949) (Yumi Notohara).- Chapter 7. The Manifestation of Musical Criticism in the Lithuanian Press in the First Years of WWI (Rima Povilioniene).- Chapter 8. "Where"s the Orchestra?": The Sanremo Festival through the 1980s and the 1980s through the Sanremo Festival (Jacopo Conti).- Chapter 9. The Years of 883: Italian Pop at the Time of Commercial Broadcasting (Jacopo Tomatis).- Chapter 10. Political and Ethical Values of the Music of Manowar (Paolo Ribaldini).- Part III. Case Study: Polish Contemporary Music.- Chapter 11. "Via Crucis" and "Resurrectio" by PawelLukaszewski (Renata Borowiecka).- Chapter 12. Theme of Death in the Music of Pawel Lukaszewski (Renata Borowiecka).- Chapter 13. Stanislaw Moniuszko"sOEuvre as a Builder of National Identity During Partition Times (Magdalena Chrenkoff).- Chapter 14. The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walacinski's Oeuvre (Ewa Czachorowska-Zygor).- Chapter 15. "Thakurian Chants" for Mixed Choir and Orchestra, by Marek Stachowski (Agnieszka Draus).- Chapter 16. New Romanticism in Polish Music: Generation 51 - Knapik, Krzanowski, Lason (Kinga Kiwala).- Chapter 17. Religious Motifs and Existential Reflection in Zbigniew Bujarski"s Chamber Music (Ewa Wojtowicz).- Chapter 18.The Phenomenon of String Quartet in the Work of Krakow Composers from 1960s (Ewa Wojtowicz).
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