Locating Nordic Noir
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Locating Nordic Noir
From Beck to The Bridge
Toft Hansen, Kim; Waade, Anne Marit
Springer International Publishing AG
08/2018
313
Mole
Inglês
9783319867083
15 a 20 dias
454
Descrição não disponível.
1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6. Beck and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen - The Killing and DR's Danish model.- 9. Norskov and Danish commercial public service drama.- 10. The Team, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original.- 12. Trapped and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Nordic Noir;Nordic;Crime;Television drama;Beck;The Killing;Forbrydelsen;Trapped;Ofaer?;The Bridge;Broen;Blue Eyes;Norskov;Stieg Larsson;Scandinavian television;Scandinavian Crime Fiction;Scandi Noir;Television crime drama;location studies;Nordic landscape
1. Introduction: Where is Nordic Noir?.- 2. Part I: Local colour and location studies - Local colour and places on screen.- 3. Location studies: a topography of Nordic noir.- 4. Four perspectives on the Nordic region.- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone.- 6. Beck and character adaptations.- 7. Funding models and increasing transnationalism.- 8. Part III: Written for the Danish screen - The Killing and DR's Danish model.- 9. Norskov and Danish commercial public service drama.- 10. The Team, Danish transnationalism and the local colour of Europe.- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original.- 12. Trapped and original Noir from Iceland and Norway.- 13. The Bridge, transnational co-productions and screen tourism.- 14. Conclusion: Nordic Noir beyond the Nordic.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
