Affective Moments in the Films of Martel, Carri, and Puenzo

1. Introduction.- 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri's La rabia (2008).- 3. Affective Otherness in Lucrecia Martel's La cienaga (2001).- 4. Lucia Puenzo's El nino pez (2009): Fluid Intimacies, Affective Dwelling.- 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri's Los rubios (2003).- 6. Muted Gestures, Screaming Affects in Lucrecia Martel's La mujer sin cabeza (2008).- 7. Ghostly Pasts and Contested Silence in Lucia Puenzo's Wakolda: El medico aleman (2013).- 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucia Puenzo's XXY (2007).- 9. Albertina Carri's Geminis (2005): Leisurely Boredom, Incestuous Discontent.- 10. Lucrecia Martel's La nina santa (2004): On Waiting, Monotony, and Agentic Kinesthesis.- 11. Conclusion.

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• Filmes, cinema
• Estudos cultirais
• Estudos de gênero: as mulheres

women directors;sociopolitical filmmaking;Argentine women filmmakers;Argentine cinema;Latin American Women Filmmakers;Latin American cinema;Lucrecia Martel;Albertina Carr;Lucia Puenzo;affective moments;female directors;affect in film;intimacy on screen;Politicized Intimacies;intimate tensions;memory in film;desire on screen;violence on screen