War and Theatrical Innovation

Introduction: Victor Emeljanow; Theatrical Engagements in times of war: an introduction.- 1. Will Shueler; The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance.- 2. Fraser Stevens; Cultural Camouflage: Acting Identities in World War 2 espionage.- 3. Greer Crawley; The Scenographer as Camoufleur Propaganda Strategies.- 4. Cariad Astles; Puppetry and the Spanish Civil War.- 5. Yuh-Jhung Hwang; Theatrical Propaganda and an Imagined West during the Korean War.- 6. Gabriella Calchi-Novati; The Biopolitics of ISIS' Iconoclastic Propaganda.- 7. Mayhill C. Fowler; Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919-1922.- 8. Lu Miao and Wei Feng; Manipulating Beijing Opera: criminality and prosperity during Civil War in China c.1930.- 9. Anselm Heinrich; Patronising the National Stage: subsidies and control in wartime Britain.- 10. Veronica Kelly: 'Make do and mend': civilian and military audiences in Australian popular entertainment during the Pacific War of 1943-45.

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• Guerra e Defesa
• Estudos teatrais

Political propaganda;Military propaganda;Wartime theatre;Scenography as camouflage;Espionage training;Greek tragic chorus;Pyrrhic dance;Michael Chekhov;Spanish Civil War;Glove puppetry;Korean War