Jean-Luc Godard's Political Filmmaking
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Jean-Luc Godard's Political Filmmaking
Emmelhainz, Irmgard
Springer International Publishing AG
11/2018
329
Dura
Inglês
9783319720944
Pré-lançamento - envio 15 a 20 dias após a sua edição
By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.
1. Introduction.- 2. Who Speaks Here?: Jean-Luc Godard's Militant Filmmaking' (1967-1974) [Dialectical Materialist Filmmaking].- 3. Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme [Photojournalism].- 4. Technique and Montage: Saying, Seeing and Showing the Invisible [Spectacle].- 5. Representing the Unrepresentable: Restitution, Archive, Memory [Witness Industry/images of testimony/humanitarianism].- 6. Conditions of Visuality and Materialist Film at the Eve of the 21st Century.- 7. Conclusion.
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By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.
1. Introduction.- 2. Who Speaks Here?: Jean-Luc Godard's Militant Filmmaking' (1967-1974) [Dialectical Materialist Filmmaking].- 3. Elsewhere: Dialogue of Points of View: Jean-Luc Godard and Tiersmondisme [Photojournalism].- 4. Technique and Montage: Saying, Seeing and Showing the Invisible [Spectacle].- 5. Representing the Unrepresentable: Restitution, Archive, Memory [Witness Industry/images of testimony/humanitarianism].- 6. Conditions of Visuality and Materialist Film at the Eve of the 21st Century.- 7. Conclusion.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
