Althusser and Pasolini

Althusser and Pasolini

Philosophy, Marxism, and Film

Hamza, Agon

Palgrave Macmillan

06/2016

202

Dura

Inglês

9781137566515

15 a 20 dias

Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser's philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini's most important films. Pasolini's films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films.
Introduction: Althusser and Pasolini PART I: On Althusser 1. Contextualisation2. Periodization3. Taking sides: Hegel or Spinoza?4. Structural Causality5. Althusser before Althusser: from Christianity to Communism6. Marxists' preshistory7. Proletariat of Human Condition versus the Proletariat of Labor8. Christian Materialism9. Antiphilosophy10. Definition of Ideology11. Epistemological Break12. Interpellation 13. State Apparatuses14. Church as an Ideological State Apparatus15. Althusser's Politics PART II: The Gospel According to Althusser 16. Setting the Stage17. Camera as an Ideological Apparatus 18. Film as a Commodity 19. Representation20. The Christian Reality21. Religious Suspension of the Theological 22. Religious-Political23. Class Struggle24. Class Struggle Versus Humanity 25. The Politics of Religion26. Pasolini's Political ThoughConclusion: Marxism and Film
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